Contacts and Patrons

Current Character Contacts

This system codifies a phenomenon commonplace in most long-term campaigns: the friendly bartender, gruff weaponsmith, or absentminded sage who points the PCs in the right direction, passes along important clues, or offers unusual skills and knowledge.

With this variant, the PCs have one or more unnamed contacts marked on their character sheets for later use. A player can define a contact for his character at any point during the game, giving the PC access to a friendly NPC. This variant is particularly appropriate in campaigns that feature mysteries, intrigue, and lots of character interaction. It’s especially effective in the hands of a GM who doesn’t mind improvising new NPCs on the spur of the moment.
For example, when a character needs an inscription translated from an ‘unknown’ language, an invitation to the Lord’s Pageant, or the services of a master in Craft (gemcutting), the player tells the GM that he wants to define one of his character’s contacts for the purpose. Then the GM describes how the contact came about, from the character’s point of view: “You buy your lute strings from someone, who is the husband of a woman who speaks the ‘unknown’ language. She remembers you as one of the musicians who performed at their wedding feast, and is happy to do you a favor.” In game terms, the woman has a friendly attitude toward the PC that continues unless the character does something to change the relationship. She is willing to translate the inscription, and she may perform a similar service on other occasions as time goes on. The player notes on the character sheet that one of his character’s contacts has been defined as this woman, and that she is a speaker and writer of the language.

NPCS AND CONTACTS

While all defined contacts are friendly NPCs, that doesn’t mean that all friendly NPCs are defined contacts. The contact variant rules are intended to supplement, not replace, other social interactions with noncombatant NPCs. It gives a player a chance to insert a minor character into the ongoing drama.

Defined contacts should be among the campaigns most stable characters. Unless the characters are completely obtuse or have remarkable misfortune, the minor characters they define as contacts aren’t going anywhere. They’re generally available wherever they happen to live, and they usually have the time and inclination to help their friend the PC. Major NPC characters — those defined entirely by the GM — are off limits as contacts. A player can’t just say, “I want to define the queen as a contact.”

A contact won’t risk life or livelihood on the PC’s say-so, but a contact makes some sacrifices for a friend. For example, a contact will burn the midnight oil translating an ancient text or sneak the key to the pantry out of the castle (as long as it’s back by morning).

There’s an inverse relationship between the contact’s importance in the ongoing campaign and the amount of help she can provide. In other words, if you choose the mayor as your contact, sometimes he’s too busy to see you at a moment’s notice, but he’s very helpful when you get an audience. A cobbler, on the other hand, practically lives in his shop, making him available day or night, but the ways in which he can aid you are more limited.

TYPES OF CONTACTS

Contacts come in three varieties: information contacts, influence contacts, and skill contacts.

Information Contacts

Information contacts are useful for what they know. They’re the ones who hear all the rumors — and they can discern which ones are true. Some just have an uncanny sense of what’s going on in their neighborhood or town, such as the grumpy bartender, the talkative fruit merchant, and the watch captain who has seen it all. Other information contacts have more focused interests, such as the army sergeant who knows all about troop movements, the fence who is privy to every major theft in the city, or the scribe assigned to write down every utterance of the high cleric- prophets.

An information contact is generally a commoner or an expert with one-third the class levels of his PC friend. It’s okay to give such a character a few levels in another class such as wizard, rogue, or fighter if it’s reasonable for someone in the contact’s position to have this experience. Most information contacts spend their skill points on interaction skills such as Diplomacy, Gather Information, and Sense Motive.

Influence Contacts

Influence contacts are useful because of who they know or who they are associated with. While a player can’t define the queen as his character’s contact, he can define one of her chambermaids as a contact. The maid doesn’t have a broad store of information, and she doesn’t have ally skills the PC’s might need. But she might be able to put in a good word with the queen, and she can certainly make introductions between the character and the rest of the queen’s domestic staff. The purpose of an influence contact is to enable and smooth talks with more important, but less friendly NPCs.

An influence contact has one-quarter the class levels of his PC friend, almost always in an NPC class (adept, aristocrat, commoner, expert, or warrior) unless the character is in an environment such as a wizard’s academy where almost everyone has specific class levels.

Skill Contacts

Skill contacts are useful for what they do. Some skills—especially categories of Craft, Profession, and Knowledge—are rarely possessed by PCs. Skill contacts have those skills in abundance, so they’re useful when characters need a smith to repair a lance, an honest broker to appraise a giant pearl, or a herald who can identify the helmed knight displaying a two-headed wyvern on her standard. A special category of the skill contact is the linguist, who can tell you what “Bree-Yark!” means in Goblin.

A skill contact is generally an expert with half as many levels as his PC friend. He has maximum ranks in the skills he is best at, and his highest ability score is in the key ability for the skill in question. A skill contact always has the Skill Focus feat related to his field of specialty.

OBTAINING CONTACTS

Player characters automatically gain contacts as they rise in level; see table Contacts. When a PC obtains a new potential contact, he must select what type of contact it is (information, influence, or skill), but doesn’t define it further until needed.

A multiclass character gains contacts according to his class level in each of his classes, regardless of what his character level is. For example, a 3rd-level bard/2nd-level barbarian gains a new contact when he reaches 6th level if he takes 4th level in bard, but not if he takes 3rd level in barbarian.

Additionally, a player may “Make Contacts” by spending 2 Hero Tokens to convert any friend (on whom they previously used Hero Tokens to Make a Friend). This friend will stick around, and become one of the above types of Contacts, or perhaps even become a henchman.

CONTACTS

Level A1 B2 C3 D4
1st —— —— —— ——
2nd 1st —— —— ——
3rd —— 1st —— ——
4th 2nd —— 1st ——
5th —— —— —— 1st
6th 3rd 2nd —— ——
7th —— —— —— ——
8th 4th —— 2nd ——
9th —— 3rd —— ——
10th 5th —— —— 2nd
11th —— —— —— ——
12th 6th 4th 3rd ——
13th —— —— —— ——
14th 7th —— —— ——
15th —— 5th —— 3rd
16th 8th —— 4th ——
17th —— —— —— ——
18th 9th 6th —— ——
19th —— —— —— ——
20th 10th —— 5th 4th

1 Use column A for bard levels
2 Use column B for cleric, paladin, and rogue levels
3 Use column C for fighter and sorcerer levels
4 Use column D for barbarian, druid, monk, ranger, and wizard levels

House Rules
General Gaming Information

PATRONS

Patronage is the support, encouragement, privilege, or financial aid that an organization or individual bestows to another. This usually occurs in the world of the arts, but may extend to any endeavor that would bring more fame, prestige or financial gain to the patron. Patronage often encompasses the support of kings (or other royalty, or high members of clergy), providing funding to musicians, painters, sculptors, even explorers and adventurers. Certain underworld patrons might sponsor certain dubious expeditions.

A character, if his background or the current storyline dictates, may acquire an influential person in their life who can be relied on for occasional support. This could be a wealthy family member, a high-ranking guild boss, a nobleman or clergy member, usually someone with a high reputation.

The player may obtain a patron in one of three ways.

  1. She may use two contact slots to obtain a patron. This would be some influential person the character has nurtured a reputation and relationship with, usually over the course of several months.
  2. She may burn 4 hero tokens to acquire a patron. This person would be introduced into the character’s life perhaps during an adventure, and who (by the expenditure of hero tokens) takes a liking to the character, enough to provide certain support or aid.
  3. The DM may assign a patron at any time the story or character background calls for one.

When called upon, this patron can pull strings on the character’s behalf, supply resources, introduce them to people they need to know, and bail them out of trouble. Each patron is assigned a level, the higher the level, the more willing the patron is to help the character, the more money they are willing to spend, and the more involved the patron is with the daily lives of the characters. This level of patronage may fluctuate based on the actions of the characters (or their companions).

The player and gamemaster should work together to determine exactly who this patron NPC is and the nature of their relationship to player character. Specifically, the question of why this patron is supporting the character should be answered (familial obligation? childhood buddies? the character saved their life once?).

DMs should be careful that this trait does not get abused. The patron should be an occasional help (probably no more than once per game session at most) but is not always at the character’s beck-and-call. If the character asks for too much, too often, they should find the patron’s support drying up (and the patronage level plummeting). Additionally, the character may need to take action to maintain the relationship, such as undertaking a mission on the patron’s behalf. In fact, the character might only have a certain patron because they are on-call or of use to the NPC in some way.

House Rules

Link to SK House Rules

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Contacts and Patrons

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